Joan did not meet Hilda again till the child had grown into a woman—practically speaking. She had always been years older than her age. It was at a reception given in the Foreign Office. Joan’s dress had been trodden on and torn. She had struggled out of the crowd into an empty room, and was examining the damage somewhat ruefully, when she heard a voice behind her, proffering help. It was a hard, cold voice, that yet sounded familiar, and she turned. Of course they would have to be careful. There must be no breath of gossip, no food for evil tongues. About that she was determined even more for his sake than her own. It would be fatal to his career. She was quite in agreement with the popular demand, supposed to be peculiarly English, that a public man’s life should be above reproach. Of what use these prophets without self-control; these social reformers who could not shake the ape out of themselves? Only the brave could give courage to others. Only through the pure could God’s light shine upon men.!

“And they are with you now?” concluded Miss Tolley. “What’s become of it?” asked Joan. “The child?”

The blood had mounted to her face. She drew back into the shadow, beyond the tiny sphere of light made by the little lamp. “I couldn’t face it,” he went on; “the way people would be looking at me in trains and omnibuses; the things people would say of me, the things I should imagine they were saying; what my valet would be thinking of me. Oh, I’m ashamed enough of myself. It’s the artistic temperament, I suppose. We must always be admired, praised. We’re not the stuff that martyrs are made of. We must for ever be kow-towing to the cackling geese around us. We’re so terrified lest they should hiss us.” “A baby,” she said. “Oh, it was my own fault,” she continued. “I wanted it. It was all the talk at the time. You don’t remember. Our right to children. No woman complete without one. Maternity, woman’s kingdom. All that sort of thing. As if the storks brought them. Don’t suppose it made any real difference; but it just helped me to pretend that it was something pretty and high-class. ‘Overmastering passion’ used to be the explanation, before that. I guess it’s all much of a muchness: just natural instinct.”